How to Bounce With Hardware Plugins

How to use hardware inserts in your DAW

Getting this stuff working with your DAW isn't as hard as you might think.
Getting this stuff working with your DAW isn't equally hard as y'all might remember.

Whether yous take a few older processors sitting around or are only looking to expand your studio, hardware tin can be a great way to add some variation to your audio. It'due south debatable whether hardware actually sounds 'better' - honestly, we recall it's subjective - but at that place's no doubt that working with hardware can unlock sounds that may non be attainable with plugins.

Near of u.s. work purely in the box and it'south very unlikely this is going to modify - in fact nosotros're increasingly seeing top engineers and producers dropping bespoke analogue setups in favour of a more efficient digital workflow. With this in listen, it's best to integrate hardware in a style that creates a 'hybrid' organization.

In this walkthrough, we'll show you how to plumb your hardware effects and dynamics processors into your DAW in lodge to process signals from the latter using the former. For more on hardware processing, pick up Future Music 284, which is on sale at present.

i. We're going to look at a few different things, including how to ready your DAW for basic outboard processing. This will involve creating 'virtual' insert points to route audio back and forth between your hardware and DAW. We'll and so get into creating a hybrid furnishings chain using a mixture of hardware and software inserts. We'll expect at level balancing, billowy results and fifty-fifty delay compensation techniques.

2. Start past connecting your hardware to your audio interface, and then loading your DAW'due south external routing plugin in an insert slot. This tin can be before or subsequently whatever software plugins on the same channel. Obviously, make certain your outboard is switched on and everything is plugged in correctly; if it's not, you simply won't hear anything! You should be able to hear your audio being passed through your hardware.

3. At present information technology'southward time to run a quick latency test. Just sure DAWs will accept this feature or require you to go through the process. We're in Logic Pro X, which tin accurately measure out the round trip latency: simply hit the Ping button and the Latency Offset slider should automatically adjust itself for very depression latency. If it's much more than a few samples either way you lot may accept a trouble somewhere in your system.

4. Next, let's get our levels balanced. This involves tweaking the output book (the level leaving your sound interface and entering the hardware) and the input level (the level coming back into your DAW from the hardware). You desire to establish a healthy level into the hardware, then a hot betoken with no clipping dorsum into your DAW.

5. If you take more 1 hardware processor, simply repeat the process. Now you can throw whatever plugin effects you lot like into the concatenation, too, for a hybrid of hardware and software processing. A sensible movement at this signal is to save your work. Most DAWs will allow you lot to save a preset for the hardware routing plugin, storing the level adjustments, latency settings and, almost importantly, routing that nosotros set at the beginning.

6. With your multiple effects combined and settings saved, you're ready to mix or bounce the results. Billowy them provides a fair few advantages. It reduces the load on your CPU and frees upwardly the external processors that you were using, assuasive them to be re-used on other sounds. Obviously y'all'll demand to bounce in existent fourth dimension for the external effects to be captured!

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